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SYLLABUS 

COMPOSITION - Sonata Development Sections

 

Instructor - Andrew James Clark - www.andrewjamesclark.ca

 

This course provides the basic composition skills needed to compose short, single movement works using the techniques and principles found in self contained seventeenth century classical music. The order in which these concepts are presented is non-negotiable and students must complete each assignment fully before being permitted to move on. An accompanying assignment will be given each week, written for solo instrument. It is strongly recommended that students at least complete up to level 10 RCM harmony before beginning composition lessons. All assignments must be hand written!

1. NOTATION 
     Order of sharps and flats, stem sides, beaming, note heads.
2. ELEMENTS 
     Pitch, Rhythm, Articulation, Dynamics, Timbre
3. MOTIVIC CONSTRUCTION 
     Short, durable musical statements.
4. THEME WRITING 
     Well defined and memorable musical ideas.
5. SENTENCES AND PERIODS 
     Classical Phrase Structure.
6. ACCOMPANIMENT FIGURES
     Five figures from Viennese Sonata Cycles
7. SIMPLE, BALANCED AND ROUNDED BINARY
     Baroque Dance Forms
8. THEME AND VARIATION
     Beethoven's Variations in C Minor and Eroica Variations
9. TEXT SETTING
     Syllabic Emphasis, slurs and melismas. 
T. MELODY WRITING / WRITING FOR VOICE
     Vocal characteristics and song writing
E. ART SONG
     Duet texture, range, word painting.
SYLLABUS 

COMPOSITION II - LEARNING TO CONTINUE

 

Instructor - Andrew James Clark - www.andrewjamesclark.ca

 

This course uses Sonata Form to foster the basic composition skills needed to expand and develop musical ideas into cohesive musical narratives. Acquiring these skills will help students avoid developing a dependancy on sequences, literal repetition, and improvisation as a method to extend their work indefinitely. The course will culminate with the composition of a one movement Sonata.

1. STRING INSTRUMENTS
     String Orchestra, Orchestration and Bowing.
2. DUET TEXTURE
     Range, Registration, Restraint 
3. RONDAEU
     Contrast and Juxtaposition
4. CLASSICAL RONDO
     Dominant preparation and Re-transitioning.
5. WIND INSTRUMENTS
     Wind quintets, ensembles, timbre and breathing
6. SONATINA
     Exposition and Recapitulations
7. DEVELOPING VARIATION (I)
     Liquidation, Elimination, Compression
8. DEVELOPING VARIATION (II)
     Elaboration, Extension, Expansion
9. SONATA FORM
     EEC's, ESC's, Cadential Control
T. DEVELOPMENTAL CORES
     Models, Sequences, Fragmentations, Dominant Pedals 
E. VIENNESE SONATAS
     Beethoven, Haydn and Mozart 
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